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Alexander Millar Litho Framed Signed
A Arts - N - Sports (see more by this artist)
Up for sale: Alexander Millar Original Lithograph “The Sunshine Boys”! Numbered 120 out of 295. Custom Framed and Ready to Hang! The Frame and Image are in Great condition. Still in original packaging. Only taken out of the packaging for inspection and photographs. The item pictured is the EXACT item you will be receiving. I have it in my possession, it is packed and ready to be shipped! The photos do not do it justice. Any white spots are from the flash. Certificate of Authenticity is provided by Washington Green, Millar’s Publishing Company! There is very minor wear on the top of the frame which should not be seen when the picture is hung. It does not detract from the beauty of the piece.
Alexander Millar! "The Sunshine Boys" Custom Framed LIMITED ED Giclee (31" x 24"), Numbered and Hand Signed with Certificate! List $1,750
ADD THE CHARMING ARTWORK OF ALEXANDER MILLAR TO YOUR COLLECTION! Alexander Millar creates nostalgic works that lovingly capture quirky characters from the streets of Newcastle. "The Sunshine Boys" is a limited edition giclee on Hahnemuhle paper, numbered and hand signed by Alexander Millar. This piece is custom framed and ready to hang. Includes Certificate of Authenticity! Measures approx. 31" x 24" (with frame), 22" x 14" (image).
Scottish artist Alexander Millar grew up in a small mining town on the west coast of Scotland, where life moved at a slower pace than in the towns nearby. “Although I grew up in the 60s era it felt more like the 40s,” notes Millar. “My formative years were spent in the company of old men dressed in dark suits smoking woodbines partnered with large missile-shaped women decked out in headscarves and pinnies.” With a father who worked for British Rail, Millar often found himself hanging around the rail stations, which are often the chosen settings for his paintings; they capture the nostalgia and romance of a time long gone.
Millar found his inspiration once he traded in his small hometown for the much larger Newcastle-upon-Tyne in England, where he encountered the local “Gadgies,” whom he began to depict in his paintings alongside images and objects remembered from childhood. Millar’s paintings capture precise moments that are lovingly created and all the more poignant because they depict the increasingly rare characters of Old Scotland. He has no formal training, but the self-taught Millar’s touching and playful paintings are an audience favorite. In a competition of ten thousand or so works entered in the Daily Mail’s “Not the Turner Prize,” Millar was chosen as a finalist and exhibited at London’s Mall Galleries.
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