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Unrefined Idea 14 Man is God
Michelangelo Zetterq...
Pure Thought & The Unrefined Ideas Detail 14 (Pen & Ink)
Lord Shiva as Nataraj (Lord of the Dance)is combined with Leonardo da Vinci's figure in the circle or the Vitruvian Man, it's kind of a "man is god" reference. I have a continuation of my world of highwire dwellers. More egyptian thoughts. I had this Robbin Hood idea, kind of a bad person protecting the innocent in the form of this watch-dog (pun intended).
Quote from Wikipedia:
A genius is a person of great intelligence, who shows an exceptional natural capacity of intellect, especially as shown in creative and original work. Geniuses always show strong individuality and imagination, and are not only intelligent, but unique and innovative. The term may also be applied to someone who is a polymath, such as Goethe or da Vinci, but a polymath is generally considered a well-rounded genius, gifted in many areas, e.g. math, physics, art, poetry, etc.[1] Einstein, for instance, was a genius in physics, but not necessarily in other areas such as art or literature.
Although the term "genius" is sometimes used to denote the possession of a superior talent in any field, e.g., Roger Federer may be said to have a genius for tennis or Winston Churchill for statesmanship, in many of these cases the term is applied incorrectly and should instead be used specifically to denote an exceptional natural capacity of intellect and creative originality in areas of art, literature, music, science and mathematics.
Quote from Wikipedia:
http://en.wikipedia.org/wiki/Art
Skill
Art can connote a sense of trained ability or mastery of a medium. Art can also simply refer to the developed and efficient use of a language to convey meaning with immediacy and or depth.
Basically, art is an act of expressing our feelings, thoughts, and observations. There is an understanding that is reached with the material as a result of handling it, which facilitates one's thought processes.
A common view is that the epithet “art”, particular in its elevated sense, requires a certain level of creative expertise by the artist, whether this be a demonstration of technical ability or an originality in stylistic approach such as in the plays of Shakespeare, or a combination of these two. For example, a common contemporary criticism of some modern art occurs along the lines of objecting to the apparent lack of skill or ability required in the production of the artistic object. One might take Tracey Emin's My Bed, or Hirst's The Physical Impossibility of Death in the Mind of Someone Living, as examples of pieces wherein the artist exercised little to no traditionally recognised set of skills, but may be said to have innovated by exercising skill in manipulating the mass media as a medium. In the first case, Emin simply slept (and engaged in other activities) in her bed before placing the result in a gallery. She has been insistent that there is a high degree of selection and arrangement in this work, which include objects such as underwear and bottles around the bed. The shocking mundanity of this arrangement has proved to be startling enough to lead others to begin to interpret the work as art. In the second case, Hirst came up with the conceptual design for the artwork. Although he physically participated in the creation of this piece, he has left the eventual creation of many other works to employed artisans. In this case the celebrity of Hirst is founded entirely on his ability to produce shocking concepts. The actual production is, as with most objects, a matter of assembly. These approaches are exemplary of a particular kind of contemporary art known as conceptual art.
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| 11" x 8" ink on type paper |
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